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Hot bod vs love God
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The Lord Jesus blesses Glen with Friday, March 31, 2006
Secrets of the [Da Vinci] Code (Part III)

ah, finally i've come to the last part of the interesting things tt i've been reading frm Secrets of the Code. i'm sorry if the last few entries bored you to death. all these 3 entries aren't actually meant for the casual blog-reader. i intended to share these w/ those who really and eagerly want to seek the truth behind the Da Vinci Code (DVC).



Book I - The Drama of Herstory, History, and Heresy
Part II -
Echoes of the Hidden Past
Chp 6 - Secret Societies



The secret things belong to the Lord, the things revealed are ours and our children's forever ...

 - Deuteronomy 29:29



Researching Western Civilisation's Darkest Secrets
An Interview with Lynn Picknett and Clive Prince


What is the Merovingian line and what is its connection to Jesus?

The Merovingians were a dynasty of Frankish kings who reigned over parts of what are now northern France, Germany, and Belgium between the 5th and 8th centuries. They were usurped by the Carolingians in collusion with the church.

The central contention of the Dossiers Secrets is that the Merovingian line did not die out, as history records, and that the Priory of Sion has protected it descendants throughout the ages to the present day. There's a suggestion that they are the legitimate kings of France, and that the aim of the Priory of Sion is to restore them to the French throne. This is absolute nonsensical rubbish. Even if the Merovingians survived, which is extremely doubtful, they would have no claim whatsoever to the throne - which no longer exists anyway in the Republic of France.

The central theory of Holy Blood, Holy Grail is the secret of the Merovingian bloodline and that it was descended from the children of Jesus and Mary Magdalene. This is the idea that particularly inspired DVC. We can't stress too much that this is entirely Baigent, Leigh, and Lincoln's hypothesis. It appears nowhere in the Dossiers Secrets, nor in any other Priory-related documents, and was explicitly repudiated by Pierre Plantard.


What basis is there for thinking that the Holy Grail represents Jesus' bloodline through Mary Magdalene's womb?

Baigent, Leigh, and Lincoln argue that the Holy Grail, the "vessel" that contained Jesus' blood and seed, is a coded reference to the womb in which Mary Magdalene carried his children. It's an intriguing but very debatable hypothesis, especially as the "vessel" idea of the Grail was not its original form. The first tales either didn't describe the mysterious Holy Grail as anything in particular or had it as a stone.

We absolutely do not agree with the Grail as Magdalene's womb theory. This was explicitly rejected by the Priory of Sion itself and is the central mistake of both Holy Blood, Holy Grail, and less seriously, DVC, which is, after all, fiction.




Part III - Keeping the Secrets Secret
Chp 7 - The Mystery of Codes


Nothing is hidden that shall not be made clear; nothing is secret that shall not be made manifest.

 - Luke 8:17



In every shocking event and mass tragedy, someone appears from outside the mainstream box to publicise a secret code and allege a conspiracy. September 11 was just such an example. On the one hand, thousands of people chatted across the Internet about secret signs and codes - everything from the meaning of "911" date itself (a nearly universal American code for emergency), to the covers of rock albums and scenes from movies that, in our ultraviolent society, has depicted buildings blown up. Otherwise seemingly intelligent people argued that the Bush administration knew (9/11 was going to happen, but, like FDR at Pearl Harbour, "wanted" it to happen to galvanise the country for war. Or that somehow 9/11 was a "Jewish conspiracy" designed to, designed to ... well, no one who holds this view can actually articulate anything that makes enough sense to finish the sentence. But the motivations for entering into conspiracies are accepted by conspiracy theorists as irrational or unimportant. Thus, even with all the debate and discussion DVC has generated, almost no one has spent any time on how utterly irrational and illogial the motivations of "the Teacher" are for killing Sauni¨¨re and the other s¨¦n¨¦chaux, or how magnificently improbable a dedicated Holy Grail hunters with those most opposed to allowing the "truth" of the Holy Grail to come out.

"At the end of an exhausting century," wrote Newsweek recently, "conspiracy is a comfortable way to make sense of a messy world. One-stop shopping for every explanation. Things don't just fall apart. Somebody makes them fall apart."



Is God a Mathematician?
An Interview with Brendan McKay
Brendan McKay is a professor of computer science at the Australian National University. He achieved notoriety a few years ago by debunking the Bible code theory, most notably espoused by author Michael Drosnin, which claims that the Hebrew text of the Bible contains intentional coincidences of words or phrases (appearing as letters with equal spacing) that predict an impressive array of historical events from assassinations to earthquakes. McKay showed that by applying the same mathematical techniques used by promoters of The Bible Code to other books similar "amazing" predictions could be found (indeed, McKay noted that a mathematical "analysis" of Moby Dick even found a "prediction" of Michael Drosnin's death). As McKay noted at the time, "The results of our very extensive investigation is that all the alleged scientific evidence for the Bible codes is bunk."
   In the 1990s, The Bible Code was as big a sensation as DVC is today. Although The Bible Code does not figure particularly in DVC, McKay's experience is a case study in the need for sceptical, critical thinking about hidden messages, symbols, and codes from the Biblical era.



How did you first become interested in analysing the Bible code?

I'm interested in the study of pseudoscience as a discipline. And because I'm also a mathematician, it was natural for me to examine the Bible code theory as a mathematical example of pseudoscience, which I define as something that has a specific principles at all. What was intriguing about the Bible code theory was that some of the evidence for it was produced by qualified scientists, whose work - at least superficially - looked very convincing and scientifically solid.

So what did your investigations reveal?

Our finding is that the word patterns and seeming predictions in the Bible are there purely by chance, and that similar word patterns can be found in every book.

It's also important to realise that over the course of time the Bible has changed a lot. Especially in the early days before Christ, there were probably substantial changes. What's more, the Hebrew spelling practice in the Bible today - which Bible code proponents use as the basis for their supposed discovery of hidden messages - does not follow the practice in use at the time the Bible was supposedly written. It's been rewritten using updated spelling rules. Because of this, any messages that might have been encoded in the original text have been wiped out. So the whole basis for the Bible code theory is flawed. From the scientific point of view, we can say that no evidence has been found for word patterns or hidden messages in the Bible except those you'd expect by chance. We demonstrated convincingly that you can do the same thing with almost any text.

But of course some people don't want to be convinced! So the debate never quite ends.


Why do you think that is?

It's much the same as any other type of occult belief, or for that matter things like conspiracy theories. There really isn't anything that you can do to stop people from believing in a good conspiracy theory. Because people really like believing things like that, somehow it satisfies some need they have.

But what about the concept of sacred geometry or the divine proportion discussed in DVC, which describes the curious fact that the design properties of man-made objects and even nature (the ratio of the length of your hand to your forearm) seem to follow a certain universal pattern defined as Phi, or 1.61804?

I think there's a natural explanation for that. The universe operates according to a set of rules, and if the physicists are right, these rules are very few and quite simple. This almost automatically implies that some aspects of nature, including its design elements, are going to appear repeatedly in different guises. So the fact that something like the divine proportion appears in many different places - in the shape of coastlines, in leaves growing on plants and lots of other things - should not be too surprising. It does not indicate that there is some guiding hand behind it. It's just that the universe operates according to a fairly small set of rules.

What about the Fibonacci sequence, which plays such a big role in Dan Brown's book?

There are good reasons why the Fibonacci sequence occurs often in nature. It's a very mathematically simple sequence. Each number is a sum of the previous two. So each time you've got a system which evolves - a plant that's growing and more leaves are coming on it, and each new growth depends on the previous ones and the ones before that - you've got this sequence coming out. And the sequence also satisfies many other mathematical properties which could also correspond to the way nature works.

So is God a mathematician?

Let's put it this way. According to modern science, the whole of nature operates according to mathematical principles. So anyone wishing to promote "divine" or mystical reasons for why things are the way they are is naturally going to try to cloak these in mathematical, pseudoscientific garb. Yes, they'll make God a mathematician.



Chp 8 - Leonardo and His Secrets


Wisdom is the daughter of experience.

 - Leonardo da Vinci

Leonardo da Vinci is the disciple of experience.

 - Leonardo da Vinci



The Secret Code of Leonardo da Vinci
By Lynn Picknett and Clive Prince
Lynn  Picknett and Clive Prince are London-based writers. Their several books on topics ranging from Mary Magdalene to Leonardo da Vinci to the Templars figured prominently in Dan Brown's research for DVC and are referred to in Brown's bibliography. Although most mainstream academic experts and scholars disagree with Picknett, seeing little or no evidence for her interpretations of the symbols in Leonardo's work, there is no denying she has had some intriguing, unique ideas and made some fascinating connections that have challenged the status quo of academic debate over many of these issues. The excerpt that follows is a perfect example. Reprinted by permission of Simon & Schuster Adult Publishing Group from The Templar Revelation by Lynn Picknett and Clive Prince. Copyright © 1997 by Lynn Picknett and Clive Prince.


To begin our story proper we have to return to Leonardo's Last Supper and look at it with new eyes. This is not the time to view it in the context of the familiar art-historical assumptions. This is the moment when it is appropriate to see it as a complete newcomer to this most familiar of scenes would see it, to let the scales of preconception fall from one's eyes and, perhaps for the first time, really look at it.

The central figure is, of course, that of Jesus, whom Leonardo referred to as "the Redeemer" in his notes for the work. (Even so, the reader is warned against making any of the obvious assumptions here.) He looks contemplatively downwards and slightly to his left, hands outstretched on the table before him as if presenting some gift to the viewer. As this is the Last Supper at which, so the New Testament tells us, Jesus initiated the sacrament of the bread and wine, urging his followers to partake of them as his "flesh" and "blood", one might reasonably expect some chalice or cup of wine to be set before him, to be encompassed by that gesture. After all, for Christians this meal came immediatley before Jesus' "Passion" in the garden of Gethsemane when he fervetly prayed that "this cup pass from me" - another allusion to the wine/blood imagery - and also before his death by crucifixion when his holy blood was spilled on behalf of all mankind. Yet there is no wine in front of Jesus (and a mere token amount on the whole table). Could it be that those spread hands are making what, according to the artists, is essentially an empty gesture?


In the light of the missing wine, perhaps it is also no accident that of all the bread on the table very little is actually broken. As Jesus himself identified the bread with his own body which was to be broken in the supreme sacrifice, is some subtle message being conveyed about the true nature of Jesus' suffering?

This, however, is merely the tip of the iceberg of the unorthodoxy depicted in this painting. In the biblical account it is the young St John - known as "the Beloved" - who was physically so close to Jesus on this occasion as to be leaning "on his bosom". Yet Leonardo's representation of this young person does not as required by the biblical "stage directions", so recline, but instead leans exaggeratedly away from the Redeemer, head almost coquettishly tilted to the right. Even where this one character is concerned this is by no means all, for newcomers to the painting might be forgiven for harbouring curious uncertainties about the so-called St John. For while it is true that the artist's own predilections tended to represent the epitome of male beauty as somewhat effeminate, surely this is a woman we are looking at. Everything about "him" is startingly feminine. Aged and weathered though the fresco may be, one can still make out the tiny, graceful hands, the pretty, elfin features, the distinctly female bosom and the gold necklace. This woman, for surely it is such, is also wearing garments that mark her out as being special. They are the mirror image of the Redeemer's: where one wears a blue robe and a red cloak, the other wears a red robe and a blue cloak in the identical style. No-one else at the table wears clothes that mirror those of Jesus in this way. But then no-one else at the table is a woman.

Central to the overall composition in the shape that Jesus and this woman make together - a giant, spreadeagled "M", almost as if they were literally joined at the hip but had suffered a falling out, or even grown apart. To our knowledge no academic has referred to this feminine character as anything other than "St John", and the M shape has also passed them by. Leonardo was, we have discovered in our researches, an excellent psychologist who amused himself by presenting the patrons who had given him standard religious commissions with highly unorthodox images, knowing that people will view the most startling heresy with equanimity because they usually only see what they expect to see. If you are commissioned to paint a standard Christian scene and present the public with something that looks superficially like it, they will never question its dubious symbolism. Yet Leonardo must have hoped that others who shared his unusual interpretation of the New Testament message would recognise his version, or that someone, somewhere, some objective observer, would one day seize on the image of this mysterious woman linked with the letter "M" and ask the obvious questions. Who was this "M" and why is she so important?
Why would Leonardo risk his reputation - even his life in those days of the flaming pyre - to include her in this crucial Chrsitian scene?

Whoever she is, her own fate appears to be less than secure, for a hand cuts across her gracefully bent neck in what seems to be a threatening gesture. The Redeemer, too, is menaced by an upright forefinger positively thrust into his face with obvious vehemence. Both Jesus and "M" appear totally oblivious to these threats, each apparently lost in the world of their own thoughts, each in their own way serene and composed. But it is as if secret symbols are being employed, not only to warn Jesus and his female companion of their separate fates, but also to instruct (or perhaps remind) the observer of some information wwhich it would otherwise be dangerous to make public.
Is Leonardo using this painting to convey some private belief which it would have been little short of insane to share with a wider audience in any obvious fashion? And could it be that this belief might have a message for many more than his immediate circle, perhaps even for us today?

Let us look further at this astonishing work. To the observer's right of the fresco a tall bearded man bends almost double to speak to the last disciple at the table. In doing so he has turned his back completely on the Redeemer. It is this disciple - St Thaddeus or St Jude - whose model is acknowledged by Leonardo himself. Nothing that Renaissance painters ever depicted was accidental or included merely to be pretty, and this particular exemplar of the time and the profession was known to be a stickler for the visual double entendre. (His preoccupation with using the right model for the various disciples can be detected in his wry suggestion that the irritating Prior of the Santa Maria Monastery himself sit for the character of Judas!) So why did Leonardo paint himself looking so obviously away from Jesus?


There is more. An anomalous hand points a dagger at a disciple's stomach one person away from"M". By no stretch of the imagination could the hand belong to anyone sitting at that table because it is physically impossible for those near by to have twisted round to get the dagger in that position. However, what is truly amazing about this disembodied hand is not so much that it exists, but that in all our reading about Leonardo we have come across only a couple of references to it, and they show a curious reluctance to find anything unusual about it. Like the St John who is really a woman, nothing could be more obvious - and more bizarre - once it is pointed out, yet usually it is completely blanked out by the observer's eye and mind simply because it is so extraordinary and so outrageous.

We have often heard it said that Leonardo was a pious Christian whose religious paintings reflected the depth of his faith. As we have seen so far, at least one of them includes highly dubious imagery in terms of Christian orthodoxy, and our further research, as we shall see, reveals that nothing could be further from the truth than the idea that Leonardo was a true believer - a believer, that is, in any accepted, or acceptable, form of Christianity. Already, the curious and anomalous features in just one of his works seem to indicate that he was trying to tell us of another layer of meaning in that familiar biblical scene, of another world of belief beyond the accepted outline of the image frozen on that 15th century mural near Milan.


Whatever those heterodox inclusions may mean, they were, it cannot be stressed too much, totally at variance with orthodox Christianity. This itself is hardly news to many of today's materialists/rationalists, for to them Leonardo was the first real scientist, a man who had no time for superstitions or religion in any form, who was the very antithesis of the mystic or the occultist. Yet they, too, have failed to see what is plainly set out before their eyes. To paint the Last Supper without significant amounts of wine is like painting the critical moment of coronation without the crown: it either misses the point completely or is making quite another one, to the extent that it marks the painter out as nothing less than an out and out heretic, someone who did possess religious beliefs, but ones which were at odds, perhaps even at war, with those of Christian orthodoxy. And Leonardo's other works, we have discovered, underline his own specific heretical obsessions through carefully applied and consistent imagery, something that would not happen if the artist were an atheist merely engaged in earning his living. These uncalled for inclusions and symbols are also much, much more than the sceptic's satirical response to such a commission - they are not just the equivalent of sticking a red nose on St Peter, for example. What we are looking at in the Last Supper and his other works is the secret code of Leonardo da Vinci, which we believe has a startling relevance to the world today.


Trying to Make Sense of Leonardo's "Faded Smudge"
An Interview with Denise Budd
Denise Budd is a Columbia University Ph.D. whose doctoral dissertation on Leonardo da Vinci focused on a reinterpretation of the documentary evidence from the first half of his career.



Is anything known about Leonardo that would suggest he was a member of the Priory of Sion or similar secret society?

There's no real evidence at all that Leonardo da Vinci was a member of the Priory of Sion or any other secret organisation. The documents that Dan Brown relied upon heavily were discovered, apparently, in the Bibliotheque Nationale in Paris in the 1960s, and they appear to be 20th-century forgeries.

What about Dan Brown's thesis about the Last Supper?

There is no disembodied hand as Dan Brown suggests. The hand with the knife - which is the hand Dan Brown says "threatens Mary Magdalene" - that's Peter's hand. And Peter's not threatening Mary Magdalene nor trying to suppress the feminine side of the church. Peter is holding the knife, which is a premonition of the violent reaction he will have during the arrest of Christ, when he cuts off the ear of the Roman soldier. So that is a fairly standard iconographic tool.

Dan Brown uses the absence of a chalice as an introductory point to bring Mary Magdalene into the picture. Yet if you look at the picture, you'll see that Christ's hands are spread out on the table. His right hand is reaching out toward a piece of bread, and his left hand is actually, quite clearly, reaching toward a cup of wine. And that's the hand that's pointed down. The institution of the Eucharist is clearly presented in the bread and the wine. Now it's not a chalice per se, like a chalice in your modern church practice, but there's a cup of wine. It's what you would expect to see at the Last Supper.


And what about the idea that the painting depicts Mary Magdalene instead of John the Baptist?

As far as the Magdalene, clearly there is no dispute. That figure is St. John the Evangelist. St. John is Christ's favourite and he is always shown by Christ's side. The major difference between Leonardo's Last Supper and earlier Florentine examples of the scene is that Leonardo put Judas among the disciples, not on the other side of the table. But the figure of John is always by Christ's side, he is always beardless and he's always beautiful. And in some instances, he is so innocent that while Christ is making the announcement that he will be betrayed, John actually sleeps. A perfect example of this "feminine" characterisation of John is in Raphael's Crucifxion in the London National Gallery, painted around 1500.

A second point that must be mentioned is the atrocious state of the Last Supper, which makes it patently unreliable to examine for any reason other than basic composition, which, presumably, it retains. It was called a wreck only 20 years after its completion, while da Vinci was still alive, and has again and again been called barely visible. In the 16th century, Vasari called it a "faded smudge". It was restored in 1726, 1770; hung in a room that was used for barracks for Napoleon's troops in 1799 and as a stable; damaged in a flood of 1800; a door was cut through the bottom of it; there was an attempt to remove it from the wall in 1821; it was restored in 1854-55, 1907-8, 1924, 1947-48, 1951-54, and all throughout the 1980s and 1990s. There is not enough of any of the faces left to make any serious determinations. Christ's face, for example, is a completely modern repainting.



"No, I do not believe there is a woman in the Last Supper ... "
An Interview with Diane Apostolos-Cappadona
Diane Apostolos-Cappadona is Adjunct Professor of Religious Art and Culture History at the Centre for Muslim-Christian Understanding and Adjunct Professor and Core Faculty in Art and Culture in the Liberal Studies Program, both at Georgetown University. With Deirdre Good, she has presented a series of workshops and special lectures on the theme of the "Truth of the Da Vinci Code."



As you know, some people, including Dan Brown, seem to see all sorts of things in the Last Supper that traditional art historians and scholars do not. What do you see when you look at this painting?

What Leonardo presents us with in his painting of the Last Supper is what he does primarily throughout all of his art - the humanising of art. This is one of his biggest appeals. From my way of reading Christian art, this painting is iconographically important because Leonardo changes the focus of iconography. Historically, the earlier carvings and sculptures on cathedral exteriors and interiors, on liturgical vestments, and in paintings, sculptures, and manuscript illuminations of the Last Supper, the artist emphasises either the identification of the traitor, which is the most important moment for most people, or the Institution of the Eucharist, which is liturgically the importance of the Last Supper.

What Leonardo does is portray the announcement, "I am going to be betrayed," and the aftermath of that moment. The disciples are in shock. They look at each other, pointing with exaggerated gestures as if to say,"It can't be me, it must be you, but who could it be, how could it be any of us?" And Jesus is saying, not only, "I know I will be betrayed," but also, "I know which of you is going to do it."

In the larger context of Leonardo's oeuvre, gestures are humanising as well as symbolic. In this particular painting, the gestures signify surprise, disbelief, accusation, and awe or wonder. This is what is important in this painting. The Jesus figure is set off in a particular way because the others are stunned. He is both the announcer and the betrayed.


What do you think, specifically, about DVC's supposition that the "John" character is really Mary Magdalene?

Initially, my response was this is a very interesting interpretation, to say that there was a woman at the table. It fits nicely with feminist theology or the postfeminist era of theology. However that doesn't make it true.

If you look at the history of the Last Supper in Christian art, you see the figure of Jesus, sometimes seated at the centre of a table, or sometimes at an end of a table. The table may be round, square, or rectangular depending upon contemporary cultural and social customs as much as artistic spacing. Simultaneously, you see regularly the figure of John the Evangelist (also known as John the Divine, or John the Beloved Disciple", in closest proximity to Jesus. There is a tradition of John being seen in our eyes - our late-20th century/early-21st century eyes - as soft, feminine, and youthful.

However, if you look carefully at the Leonardo painting, you will notice other disciples who do not have beards or who could be construed as possessing feminine features. However from my work in gender studies, I would caution that gender is a culturally and socially conditioned concept. What you and I accept today as being masculine or feminine is most likely not what would have been accepted in Florence or Milan during the 15th century. If you look carefully at Christian art, in particularly at the depictions of male and female bodies, faces, and gestures, then the Last Supper is not such an extraordinary presentation!


Can you be more specific?

If you look at the history of angels in Renaissance art contemporary to Leonardo, or in other Leonardo paintings, these angelic bodies are intended to be masculine. Yet I have students who become quite upset when I project slides of medieval and Renaissance paintings with depictions of angels. In despair, the students ask, "But why does he have long hair? Why does he have curls? His face is sort of preadolescent." We have to stop and to consider: what is our preconception of gender?

No, I do not believe that there is a woman in the Last Supper and I do not believe in any way that it's Mary Magdalene. I think that the V that's there - the one Dan Brown defines as a symbol of femininity - is there, first of all, to emphasise the Christ figure and to emphasise the reality of the perspective within that fresco.


What role does artistic form and perspective play in this?

Perspective is extraordinarily important in Renaissance art generally, and in Leonardo's art in particular. The apostles are all grouped into triangular formations. For example, there is the triangle composed of the so-called Mary Magdalene-John figure, the gray-bearded figure behind [who is Judas], and the foreground figure [who is Peter]. Dan Brown has omitted any discussion of pyramidal composition in Leonardo's oeuvre, of the 4 triangular groupings which are important to form the compositional balance for the central triangular figure who is Jesus. Centrally positioned, Jesus is in a pyramidal posture, and it is this pyramidal composition that is one of Leonardo's great gifts to Western art.

Today, we see the Last Supper within the shrine of a museum atmosphere, however, the work was created on a wall, in a refectory where the monks ate. They either looked up at it or at the painting of crucifixion on the opposite wall depending on what was being said and what meal it was, and what prayers were being recited. So the painting functioned differently, at different days of the liturgical calendar. Dan Brown ignores totally that original monastic context.




Chp 9 - Temples of Symbols, Cathedrals of Codes - The Secret Language of Arcitectural Symbolism


The "Symbology" of DVC
An Interview with Diane Apostolos-Cappadona
In the previous chapter, Diane Apostolos-Cappadona discussed Brown's references to Leonardo. Here she turns her attention to Brown's use of symbolism. Although, she points out below, she never heard the word symbologist (Robert Langdon's alleged field of expertise at Harvard) until she read Dan Brown's work, she is about as close as one can get to being a real-life professional symbologist.



What is the importance of symbols in Christianity - and in religion in general?

Symbols are a form of communication. However, this is a form of communication that is multileveled, or multilayered, and in that there is no equal, one-for-one exchange. This is what makes them both fascinating and difficult, or confusing. Symbols operate on a variety of levels: they do such "simple things" as teach the ideas or the history of a faith or tradition, teach the stories of religious or societal traditions, teach religious doctrine, and explain how one is to gesture and posture and stand during liturgical services. They tell you about communicating with members of your community, and how to identify yourself within that community. There is the further understanding that symbols - and this principle is at work for all world religions, not specifically Christianity - are a way of communicating an embodied identity of knowledge and an embodied identity of who this community is. So symbolism and symbols are an integral part of the socialisation process.

Do the meanings of symbols tend to change over time?

Yes, the meanings of symbols can change because of shifts in theology, doctrine, art styles, politics, and economic situations. For example, enormous changes in symbolism occurred during the Reformation, which was a complex umbrella of economic, political, and social transformations, as well as a religious revolution. This is the problem with symbols, and simultaneously the fascination; it's never as simple as a red light means stop and a green light means go.

What's a Christian symbol that's changed over time?

The fish has had multiple connections and meanings, from the Last Supper to the risen Christ. The fish was found in original depictions of the Last Supper. The fish has many meanings in early Christianity; then, it basically disappeared from the Christian consciousness ... only to return in the late 20th century when the ichthyus was retrieved, or rediscovered, as a symbol. It, not the cross, was the first symbol of Christian identity. The cross didn't become an identifying and visual symbol until the 4th or 5th centuries. The fish, from the Greek ichthys, as it is transliterated into English, is related to an anagram of the earliest prayer of the Christian tradition. Taking the first letter of each word from the prayer "Jesus Christ, Son of God and Saviour," the Greek letters spell ICHTHYS - that is, the fish. There were several connections in the Hebrew and Christian scriptures between the fish and the Messiah. For example, there was the verbal connection to the "fishers of men", and further connections with relation to water, fish, fishing, and boats in early Christianity.

What symbols historically have been connected to Mary Magdalene?

The most important one is the unguent jar, which relates to her being the anointer and connects her symbolically, if not metaphorically, to the other women anointers in the scripture, including the women who anointed the feet and the head of Jesus before the crucifixion. The female anointer who cared for - that is, washed, anointed, and dressed - the body of the deceased was a common practice in Mediterranean cultures. These anointers were always women. It was taboo for men to wash and anoint the dead. Women were considered "unclean", so for them to wash and anoint the deas was not inappropriate; this may be a negative reading for women. However, you could relate this activity to a Jungian reading - that every man has 3 women in his life: his mother, his wife, and his daughter. Each woman initiates him into a different part of his life - and one of the functions of the daughter, ultimately, was to purify and anoint her parents' bodies after death. Then again, there are all of those wonderful legends about Magdalene's unguent jar over the centuries. My favourite story related to the unguent jar is from the Arabic Gospel of the Infancy of the Saviour (Chapter 5). Mary of Magdala buys a jar of unguents to anoint the body of Jesus of Nazareth. Her purchase turns out to be the jar that was put on the shelf after the birth of this child named Jesus, and which contained within the nard his umbilical cord. So that the anointing of his body becomes profoundly symbolic: making him whole again and reconnecting him to his mother at the end of his life.

What about the pentacle, which is used as an important symbol in DVC?

The pentacle has 5 sides. The symbolic meaning is related to numbering, numerology, and the significance of the number 5. In Christianity, 5 is the number of the wounds of the crucifed Jesus (his 2 hands, his 2 feet and his pierced side). 5 relates fundamentally to the concept of "the human" - 2 arms, 2 legs, and a head. Numbers have meanings. There are mystical numbers, normally odd numbers, and therefore indivisible. 7, for example, is the number of fulfillment; there are 7 days in the creation story. 3 is a mystical number and so forth: 3, 5 and 7.

What about the idea put forth in DVC that the Holy Grail is actually Mary Magdalene?

That's a very Jungian reading of Mary Magdalene - women as receivers and containers, women as vessels. But historically this is a connection that is older than Jung. You find this symbolism in classical mythologies. There are a variety of metaphors here. The mysterious connection in terms of sexual intercourse is the one that matters most. Women receive the male during sexual intercourse. They thereby conceive a child and hold that child in their sacred vessel, and then expel the child from their sacred vessel. I suppose one can make an argument for Mary Magdalene as the San Graal if one is a Jungian. However, I have my own way of reading symbols, so for me it doesn't work. I think Mary Magdalene has sacramental importance, but that's not her primary importance. Who she is a mystery, and that's what makes her great to write about. I think in the year 3000 people will argue just as much about who she is or who she was as they do right now. By that I don't mean arguing about a prostitute or a woman of means or a poor woman or a sexual woman; I mean how she is in Christianity perhaps the one mirror of all aspects of humanity. The one thing she isn't is a mother or wife, as far as we know.

What is the significance of Jesus appearing first to Mary Magdalene after the resurrection?

Well, I don't think it was because they were lovers or, for that matter, possibly married as Dan Brown suggests. Rather, I think it was because she signified the witness - the one for whom seeing is enough to believe. This is as a parallel to Thomas, who had to touch the wounds and physically feel the body of Jesus - that is, the empirical evidence - before he would believe that Jesus had been resurrected. I think there are ways of reading scripture that argue for Jesus being very feminist. One way is that it is the women who continue to believe in him, who are faithful to him unto his death and provide the rituals of his death, his dying, his mourning, his burial; and it is the women who still come and who are not afraid. To me, the principle is faith, that never loses hope, the people for whom to see is enough to understand. To me it is empowering of women and of the feminine. Intuition is more important to me than reason. The Mary Magdalenes of this world trust their intuition, the Thomases do not.



Book II - The Da Vinci Code Revealed
Part I - 24 Hours, 2 Cities, and the Future of Western Civilisation

Chp 10 - Apocrypha and Revelations



FACT: The Priory of Sion - a European secret society founded in 1099 - is a real organisation. In 1975 Paris's Bibliothèque Nationale discovered parchments known as Les Dossiers Secrets, identifying numerous members of the Priory of Sion, including Sir Isaac Newton, Botticelli, Victor Hugo, and Leonardo da Vinci ... All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate.

 - Dan Brown, DVC



The above statement from Dan Brown has wielded an enormous power of suggestion over readers. DVC, after all, is a novel. In other words, it is a work of fiction. Every detail is not supposed to be factual and accurate in fiction. Indeed, fiction is supposed to be the province of the authorial imagination. Everyone who buys the book knows this. And yet, somehow, the combination of the extremely well-sculpted and detailed realism of many passages, the big events and issues from history that every reader feels he or she should know more about but doesn't, and the compelling logic of conspiracy theory (i.e., the reason you don't know something is that powerful forces have intentionally kept you in the dark about it), have all worked together to cause readers to take this particular work of fiction very seriously - as seriously as if it were a work of ... nonfiction.

The reader's fascination with trying to separate fact and fiction has turned deciphering DVC into its own Holy Grail hunt. To add value to the hunt, Secrets of the Code made up a list of typical reader questions about DVC and turned the list over to investigative journalist David Shugarts, a writer with an extremely keen eye for detail, who was fascinated by DVC, but troubled here and there by annoying plot details that didn't seem quite right to him. Shugarts combined the search for answers to readers' questions with his own questions, and set off like a bloodhound to track down answers.

Let us make the caveat at the outset: we know that DVC is a work of fiction. We fully appreciate the creative mind of Dan Brown that has woven so many interesting facts and historical concepts into the murder mystery-action thriller-potboiler genre. But given the author's opening claim about the factual nature of the material, and given how seriously the debate generated by the novel has been taken by some, we thought it would be fun to share with our readers the many plot holes and flaws that Shugarts has uncovered. It is also interesting to see some of the intriguing details in the text he discovered that are accurate or thought provoking, but which the casual reader might have missed on first encounter. For more of Shugarts's findings beyond what is presented here, visit our website at
www.secretsofthecode.com.


The Plot Holes and Intriguing Details of DVC
By David A. Shugarts



due to the many plot holes David Shugarts has uncovered (pages 379-424), i've decided not to include them in my blog entry but if anyone is interested in them, you may look for Poon Marian and maybe she'll lend the book to you.



Part II - Reviews and Commentaries on DVC
Chp 11 - Commentary, Criticism, and Observations


Code Hot, Critics Hotter
 - New York Daily News Headline, September 4, 2003



On the website explorefaith.org John Tintera wrote, "Despite being somewhat simplistic, if not outright false, I think the religious content of DVC offers a timely wake up call to the Christian church. In doing so, it invites Christians to take a fresh look at our origins and our history, both the good and the bad, which is something we don't do often enough."

Soon, however, even as the reading public continue to lap up the adventures of Robert Langdon and Sophie Neveu, critics who don't usually write book reviews started to comment. Religious groups that took deep offence at what they believed was Dan Brown's desire to attack or defame Catholicism or Christianity began to be heard from. They wrote long commentaries on websites and in religious publications, responding to every idea in the book that they believed to be erroneous. In some cases, they were right about their facts, and Dan Brown was wrong - on matters like when the Dead Sea scrolls were discovered or some of the details of what happened at the Council of Nicea. But in many ways, the religious critics were proving Dan Brown's point: they were so frightened by the novel's popularity and the possibility that it might supercede church dogma in winning hearts and minds to an alternative view of Christianity, they felt they had to engage in polemics with a writer of popular fiction.

The notion of Brown doing meticulous research also began to come under attack a few months after the publication of the book. Some saw DVC as highly derivative of books like Holy Blood, Holy Grail and The Templar Revelation - books Brown cited by name in the text of DVC and credited on his website as important to his research. As several pieces of commentary in this chapter point out, Holy Blood, Holy Grail, which has been circulating widely since its publication more than 20 years ago, is generally considered to be an occultic view of myth, legend, and outright hoax, mixed in with some very intriguing historical details.

Then another thriller writer came to the fore, Lewis Perdue, who had written an earlier book called The Da Vinci Legacy in 1983, and another called Daughter of God. These books featured plot elements and characters that Perdue asserted were remarkably close to DVC. Among the similarities: a deep, dark secret from early Christian history involving a Gnostic female messiah named Sophia, dead art curators, Swiss banks, Leonardo da Vinci, Mary Magdalene, discussions of goddess cults, and much more. A drama may play out in the courts over these similarities. But in the meantime, it looks like another battle is looming in Hollywood where Ron Howard is working on a film of DVC for Sony Pictures, while the creator of Survivor, Mark Burnett, has optioned the Perdue novels.

In the rest of this chapter, we offer a variety of commentaries on DVC, critical essays, and interesting observations. We welcome our readers to join in the dialogue and post their own views on our website,
www.secretsofthecode.com.


Religious Fiction
By David Klinghoffer
David Klinghoffer's new book is The Discovery of God: Abraham and the Birth of Monotheism (Doubleday). This article originally appeared in the National Review, December 8, 2003. It is reprinted by permission of National Review, 215 Lexington Avenue, New York, NY 10016.



The best thing about DVC is that the conspiracy is just an awfully neat one. What makes for an outstanding conspiracy? It doesn't have to be real, as this one is surely not, despite Brown's inclusion of a preface boldly headlined "FACT". One requirement is a complex array of lore. Brown has that: he provides many fascinating historical and quasi-historical tidbits - like the symbolic significance of the figure of a rose, the mathematical phenomenon called the Fibonacci sequence, the ancient Hebrew coding sequence called atbash, and much more, with an emphasis on the cryptic meanings of the paintings and drawings of Leonardo da Vinci, all artfully woven into the plot.

Above all, a worthwhile conspiracy needs to explain something that previously you didn't know needed explaining, something also that links to a truth, or at least a pseudotruth, of deep significance. Again, pseudodepth will do fine - we're talking about entertainment, after all. DVC has this.

But this book is certainly not for everyone, for the following reason. In this sort of thriller, there has to be something urgently important at stake should the conspiracy be revealed. What's at stake in DVC is nothing less than traditional Christianity itself. The Holy Grail, we are told, is not a holy cup but rather holy blood, the lineage of Jesus of Nazareth: the founder of Christianity had a daughter, Sarah, by Mary Magdalene. If true, this theory would overturn some of the central beliefs of Christians.

As a believing Jew, I certainly can't be accused of special pleading on behalf of Christian dogma. This should give me credibility when I say that this "holy blood" theory - of Jesus having descendants - is too nutty to merit serious consideration; any suggestion that such a fact could have been kept secret for 2 millennia is absurd. Brown does acknowledge that there is some merit - some truth and beauty - in Christianity; but such merit as he sees is very far from the faith of actual Christian believers.
Any Christian who is offended by fiction that directly contradicts his faith should cetainly avoid this book.

If I were a Christian, though, I think I would find it a little disturbing that some fellow Christians do in fact view this novel as a threat to their faith. Some Catholic magazines have published refutations of DVC; that they believe this is necessary indicates that many Catholics, and many in the general reading public, are taking this book far more seriously than they ought to. This also suggests that the problems in Catholic religious education are every bit as severe as Catholic conservatives have been alleging for some time now.
If the professional educators were doing their job, any believing Catholic past elementary-school age would know that Brown's book is a total falsehood.

What about the book's influence in the broader culture? Here, I am calmed by the reflection that there's something profoundly religious about conspiracies in the first place, even fictitious ones. Think about this next time when you are at the beach in chilly weather. Though the sky is cloudy and a cold wind is up, you'll see people sitting on blankets in the sand just staring out to sea. Why? Because when you look at the ocean you get the intuition that just under the surface resides a vast hidden world of exotic, usually unseen creatures. The realisation that there's all that life underneath - in some ways a mirror of our own world on dry land but in others dramatically different - is simply thrilling. It's what keeps people's eyes glued to the ocean even when there is ostensibly nothing going on out there.

This, too, is what makes a comspiracy thrilling, the revelation of concealed complexity all around. Likewise, it's what attracts many of us to thinking about spiritual matters - the gut-level perception, powerful if unproven, of an existence beyong the one of our mundane daily lives. DVC may be silly, but in its fashion, it's also thrilling.
If its popularity means people are thinking about invisible realities, that's good news.


Glen dunked at 3/31/2006 12:36:33 pm

Any comments?

 
The Lord Jesus blesses Glen with Saturday, March 25, 2006
Back in God's embrace
attended the Da Vinci Code seminar today. 4 words:


my faith is restored.



Glen dunked at 3/25/2006 9:38:21 pm

Any comments?

Secrets of the [Da Vinci] Code (Part II)

here's part 2 of the highlights i read frm Secrets of the Code. ya, it's been a tough week continuing to read the book cos my faith has been severely tested and terribly assaulted. you could say i'm almost backsliding. it's been the worst part of my Christian walk since i was touched by the Holy Spirit in 1997.


in the midst of all the struggles, i told myself to hang on till the end of the book. i'm glad i didn't stop reading when i came across passages tt seriously undermine the roots of my faith. i almost made a rash decision to reject wat i've been believing all these 9 yrs. altho elements of doubt still linger in my mind, i'm feeling better aft reading some articles tt refute Dan Brown's claims.


alright, enough of my words. these are some parts tt i find interesting while reading the book during the past few days.
my advice is to not make the decision of rejecting Christ as soon as i almost did when i read those undermining parts.


i hereby quote frm and share the sentiments w/ the author Dan Burstein:

The fact that material is presented here doesn't mean I think the arguments presented are true. It only means I think you should hear the arguments and make up your mind.




Book I - The Drama of Herstory, History, and Heresy
Part II -
Echoes of the Hidden Past
Chp 4 -
The Early Days of Christianities


One form of Christianity ... emerged as victorious from the conflicts of the second and third centuries. This one form of Christianity decided what was the "correct" Christian perspective; it decided who could exercise authority over Christian belief and practice; and it determined what form of Christianity would be marginalised, set aside, destroyed. It also decided which books to canonise into Scripture and which books to set aside as "heretical". teaching false ideas ...

Only 27 of the Christian books were finally included in the canon, copied by scribes through the ages, eventually translated into English, and now on bookshelves in virtually every home in America. Other books came to be rejected, scorned, maligned, attacked, burned, all but forgotten - lost.

 - Bart D. Ehrman



In the beginning, there was not one Christianity, but many. And among them was a well-established tradition of Gnosticism, one of the key "heresies" upon which Dan Brown builds the plot of DVC.

Sacred roots and 20 centuries of primacy in the Western world have led to the generally dominant view that modern Christianity evolved more or less linearly and directly from the teachings of Jesus. The snapshot Western civilisation has tended to see is a natural progression: starting with Jesus and followed by the preaching of the apostles as depicted in the New Testament, on through the establishment of the church by Peter, brought under the wing of Constantine and the Council of Nicea, and from thence throughout the Roman Empire, Europe, and on into the modern world. If we think about debate, conflict, and heresy in Christian thought, our history and humanities classes tend to emphasise the comparatively recent experience of the Reformation.

Dan Brown's DVC wants us to acquaint the reader with the lesser known, even "hidden" side of the story, the unanswered questions about the early history of Christianity:

Who was Jesus?
Who was Mary Magdalene?
Why did people accept the notions of a virgin birth or of resurrection?
Were Jesus and his fellow Jews seeking to define a different path for Judaism, or seeking to create a new religion?
How credible are the 4 accepted Gospels, when their accounts are at odds with each other?
What can one make of all the other accounts that did not find their way into the New Testament?



The Pagan Mysteries Behind Early Christianity
By Timothy Freke and Peter Gandy
From The Jesus Mysteries: Was the "Original Jesus" a Pagan God? by Timothy Freke and Peter Gandy, copyright © 1999, by Timothy Freke and Peter Gandy. Used by permission of Harmony Books, a division of Random House, Inc.


The Gnostics

It seemed to us extraordinary that a whole library of early Christian documents could be discovered, containing what purport to be the teachings of Christ and his disciples, and yet so few modern followers of Jesus should even know of their existence. Why hasn't every Christian rushed out to read these newly discovered words of the Master? What keeps them confined to the small number of gospels selection for inclusion in the New Testament? It seems that even though 2000 years have passed since the Gnostics were purged, during which time the Roman Church has split into Protestantism and thousands of other alternative groups, the Gnostics are still not regarded as a legitimate voice of Christianity.

Those who do explore the Gnostic gospels discover a form of Christianity quite alien to the religion with which they are familiar. We found ourselves studying strange esoteric tracts with titles such as Hypostasis of the Archons and The Thought of Norea. It felt as if we were in an episode of Star Trek - and in a way we were. The Gnostics truly were "psychonauts" who boldly explored the final frontiers of inner space, seraching for the origins and meaning of life. These people were mystics and creative free-thinkers. It was obvious to us why they were so hated by the bishops of the Literalist Church hierarchy.

To Literalists, the Gnostics were dangerous heretics. In volumes of anti-Gnostic works - on unintentional testimony to the power and influence of Gnosticism within early Christianity - they painted them as Christians who had "gone native". They claimed they had become contaminated by the Paganism that surrounded them and had abandoned the purity of the true faith. The Gnostics, on the other hand, saw themselves as the authentic Christian tradition and the orthodox bishops as an "imitation church". They claimed to know the secret Inner Mysteries of Christianity, which the Literalists did not possess.

As we explored the beliefs and practices of the Gnostics we became convinced that the Literalists had at least been right about one thing: the Gnostics were little different from Pagans. Like the philosophers of the Pagan Mysteries, they believed in reincarnation, honoured the goddess Sophia, and were immersed in the mystical Greek philosophy of Plato, Gnostics means "Knowers", a name they acquired because, like the initiates of the Pagan Mysteries, they believed that their secret teachings had the power to impact Gnosis: direct experiential "Knowledge of God". Just as the goal of a Pagan initiate was to become a god, so for the Gnostics the goal of the Christianity initiate was to beocme a Christ.

What particularly struck us was that the Gnostics were not concerned with the historical Jesus. They viewed the Jesus story in the same way that the Pagan philosophers viewed the myths of Osiris-Dionysus - as an allegory that encoded secret mystical teachings. This insight crystallised for us a remarkable possibility. Perhaps the explanation for the similarities between Pagan myths and the biography of Jesus had been staring us in the face the whole time, but we had been so caught up with traditional ways of thinking that we had been unable to see it ...



Diverging Views on Mythic Beginnings: Was Genesis History with a Moral, or a Myth with Meaning?
By Stephan A. Hoeller
Excerpt from Gnosticism: New Light on the Ancient Traditons of Inner Knowing by Stephan A. Hoeller. Copyright © 2002 by Stephan A. Hoeller. Reprinted by permission of Quest Books/The Theosophical Publishing House, Wheaton, Ill.



Most Westerners assume that Western culture has only one creation myth: the one in the first 3 chapters of Genesis. Few seem to be aware that there is an alternative: the creation myth of the Gnostics. This myth may strike us as novel and startling, yet it offers views of the creation and of our lives that are well worth considering.

The non-Gnostic, or orthodox, view in early Christendom regarded most of the Bible, particularly Genesis, as history with a moral. Adam and Eve were historical personages whose tragic transgression resulted in the Fall, and from their Fall later human beings were to learn portentous moral lessons.
One consequence of this reading of Genesis was the ambivalent and worse than ambivalent status of women, who were regarded as Eve's co-conspirators in disobedience in Paradise.

The Gnostic
Christians, whose legacy of sacred literature we find in the splendid Nag Hammadi library, read Genesis not as history with a moral but as a myth with a meaning. They regarded Adam and Eve not as historical figures but as representatives of 2 intrapsychic principles present within every human being. Adam was the dramatic embodiment of psyche, or "soul": the mind/emotion complex where thinking and feeling originate. Eve stood for pneuma, or "spirit", representing the higher, transcendental consciousness.

There are 2 biblical accounts regarding the creation of the first woman. One tells us that Eve was created out of Adam's rib (Gen. 2:21); the other, that God created the first human pair, male and female, in his own image (Gen. 1:26-27). The second account suggests that the Creator God  himself has a dyadic nature, combining male and female characteristics. The Gnostics generally endorsed this version and developed various interpretations of it. This version accords equality to the woman, while Adam's rib version makes her subordinate to the man.

For the ancient Gnostics, the conventional image of Eve was not credible. That image presented her as the one who was led astray by the evil serpent and who, with her feminine seductive charm, persuaded Adam to disobey God. In their view, Eve was not a gullible dunce turned persuasive temptress; rather, she was a wise woman, a true daughter of Sophia, the celestial Wisdom. In this capacity, she was the one who awakened the sleeping Adam.

In another scripture, On the Origin of the World, Eve is presented as the daughter, and especially the messenger, of the divine Sophia. It is in the capacity of messenger that she comes as an instructor to Adam and raises him up from his sleep of unconsciousness. In most Gnostic scriptures, Eve appears as Adam's superior. The conclusion drawn from these texts is obviously different from that of church fathers such as Tertullian: man is indebted to woman for bringing him to life and to consciousness.
One cannot help but wonder how the Western attitude toward women might have developed had the Gnostic view of Eve been the widely accepted view.


Chp 5 - Consolidation or Cover-up? - The Establishment of the One True Faith


One of the major players in this cover-up operation was a character called Eusebius who, at the beginning of the 4th century, compiled from legends, fabrications, and his own imagination the only early history of Christianity that still exists today ... All those with a different perspective ... were branded heretics and eradicated. In this way falsehoods compiled in the 4th century have come down to us as established facts ...

 - Timothy Freke and Peter Gandy



The Battle for Scripture and the Faiths We Didn't Get a Chance to Know
An Interview with Bart D. Ehrman
Bart D. Ehrman chairs the Department of Religious Studies at the University of North Caolina at Chapel Hill. An authority on the early church and the life of Jesus, his most recent book is Lost Christianities: The Battle for Scripture and the Faiths We Never Knew.


A major notion of DVC is that a major alternate tradition to the Catholic Church - a side of the argument over the meaning of Jesus' life - has been lost to us for 2000 years. How do you look at this question?

There were actually a lot of different sides to the alternate tradition in Christianity, but perhaps the best examples can be found by looking at 3 of the variant forms of early Christianity: the Ebionites, the Marcionites, and the Gnostics. They are all sects within Christianity, but they are very different from each other.

The Ebionites were these Jewish Christians who emphasised the importance of being Jewish as well as Christian. The Marcionites were anti-Jewish, and believed that all things Jewish actually belong to the god of the Old Testament, who was not the true God. The Gnostics held to the belief that there were a number of different gods.

All of these groups claimed to go back to Jesus, which means they probably originated soon after Jesus' death and resurrection, or within a few decades at least. For example, the Ebionites claim that their teachings were derived from James the Just, who was the brother of Jesus, and who better to know what Jesus taught than his own brother? And they may have been right, actually - they may have been propounding beliefs that James taught. Their faith did not spread widely, however, perhaps in part because their belief that people who were Gentiles had to become Jewish to be Christian meant that men had to become circumcised, which means they probably didn't win too many converts.

The Ebionites emphasised the Jewishness of Christianity. How about the Marcionites?

The Marcionites were followers of the mid-2nd-century Greek philosopher and teacher Marcion, who had spent about 5 years in Rome working out his theological system. He believed the apostle Paul had the true insight into Christianity beacuse Paul differentiated between the law and the gospel. Marcion pushed that view to an extreme, maintaining that if there is a separation between law and gospel they must be given to humankind from 2 different gods - the god who gave the law is the god of the Old Testament, whereas the god who saved people from the law is the god of Jesus. Similarly, the wrathful god of the Old Testament is the god who created this world, and chose Israel, and gave them his law, whereas the god of Jesus is the one who saves people from this god by dying for their sins.

How about the Gnostics?

All sorts of groups, very different from each other, are classified today by scholars as Gnostics. They were so different from each other that some scholars like the historian Elaine Pagels wonder whether we should even call them Gnostic anymore. Gnostics as a rule believed that this material world we live in is a cosmic catastrophe and that somehow sparks of the divine have become entrapped in this material world and need to escape, and they can escape when they acquire true knowledge of their situation. And the Gnostic system provides them with the knowledge they need for escape, so salvation comes by getting the true knowldege necessary for salvation.

Where the Gnostics come from intellectually is difficult to determine. They appear to represent a kind of amalgam of a variety of different religions, including Judaism and Christianity and Greek philosophy, especially Platonic philosophy, and they appear to have taken elements of these various religions and philosophies and combined them together into a major religious system. We know that there was a full-blown Gnostic system in the 2nd century, probably early- to mid-2nd century, which is right around the time of Marcion. It's hard to know if Gnosticism began in Alexandria or if it began in Palestine, or where exactly, but we have evidence of Gnostics in Syria and Egypt. Eventually they make their way to Rome.

So what finished the Gnostics and these other sects? Did they just die out?

Although there were a variety of historical and cultural reasons, most of these groups probably died out because they were attacked - successfully attacked, on theological grounds - and they weren't nearly as effective in their own propaganda campaigns. They failed to recruit new converts even while the orthodox groups created a strong structure, used letter campaigns and other means to propagate their views, and their rhetoric convinced people.

But what really secured the victory was that the Roman emperor Constantine converted to Christianity. Naturally, he converted to the kind of Christianity that was dominant at that time. Once Constantine converts to an orthodox form of Christianity, and once the state has power, and the state is Christian, then the state starts asserting its influence over Christianity. So by the end of the 4th century, there's actually legislation against heretics. So the empire that used to be completely anti-Christianity becomes Christianity, and not just becomes Christianity, but also tries to dictate what shape Christianity ought to be.

The ramifications of this change of events are enormous, of course. It changed the entire way the Western world understands itself, and how people understand something. Think of the concept of guilt alone: if some other groups had won, things might have been completely different.

So did the debates stop once the church had unified itself at the Council of Nicea?

The debates didn't end, but shifted. By the time you get to the Council of Nicea, you just don't have large groups of Gnostics anymore, or Marcionites, or Ebionites. They're old history now. But it didn't stop the debates. They just became more refined, and more heated. As an example, the Council of Nicea was about a form of Christianity called Arianism, which by 2nd- or 3rd-century standards was completely orthodox. By the time you get to the 4th century, however, and the theologians have refined their beliefs, Arianism becomes a major heresy. These Arians believed Jesus must have been subservient to the Father; after all, he prays to the Father and does the Father's will. Therefore, he's a subordinate deity. But the Arians were defeated by the Christians who maintained that Christ is not a subordinate deity, but that he's been divine from eternity past, that he's always existed in relationship to God. And so Christ isn't a divine being who comes into existence - he's always been divine, and of the same substance as God the Father himself.

The shifts in theology weren't as important as another shift that took place when Constantine became a Christian. Now he, an authoritarian political leader, could decide what kind of Christianity was acceptable and what kind wasn't. Suddenly everything related to the Church became a political issue as well as a religious one. Some people think that Constantine
converted to Christianity precisely because he thought that the Christian church might be able to help unify the empire because unlike paganism, which worshipped lots of different gods in lots of different ways, Christianity insisted on one god, one way. That is why Constantine may have called the Council of Nicea - if the church was going to play the role of unifying the empire, the church itself must be unified. That is the when, why, and how it became a political issue.


Heretics, Women, Magicians, and Mystics: The Fight to Become the One True Faith


Heresies, loosely speaking, are those views that disagree with the official doctrinal version. One man's fervent belief is another man's heresy, and so it was for Irenaeus, Tertullian, and Eusebius, 3 of the early ecclesiasts who helped to define what was Christian and to eliminate what was not. Which made it a short leap of faith, through a millennium, to the abyss of the Malleus Maleficarum - the book, as Dan Brown puts it, that "indoctrinated the world to 'the dangers of free-thinking women' and instructed the clergy how to locate, torture, and destroy them".


Tertullian

Tertullian, like, Irenaeus, was one of the early church fathers who attacked the Gnostics and is singled out by some (see the excerpts from Freke and Gandy that start this chapter) as one of the chief perpetrators of the church's attempt to cover up the existence of a robust counter-tradition. The Gnostics were in many ways the most troubling, for Gnosticism incorporated some distinctly pre-Christian (not to mention pagan) ideas and its very name referred to the concept of secret knowledge.

Women carried an even greater burden of sin. "The sentence of God on this sex of yours lives in the age," Tertullian insisted. "The guilt must of necessity live too. You are the devil's gateway." But he still isn't through. "And it should be noted that there was a defect in the formation of the first woman, since she was formed from a bent rib, that is, a rib of the breast, which is bent as it were in a contrary direction to a man. And since through this defect she is an imperfect animal, she always deceives."

As a Christian, he believed that we would know God only through practising strict discipline and austerity. The force threatening to subvert that impulse in man was woman, who, Tertullian wrote, brought sin into the world. "Do you not know," Tertullian asks rhetorically, "that you are each an Eve?"

Heretics, he believed, were put on earth to test man's Faith. These heresies came about for 2 reasons. The first was the temptation offered by philosophers, like Plato, who simply want to engage in endless questions rather than simply accept the Word.


Breaking The Da Vinci Code: So the Divine and Infallible Word Emerged Out of a 4th-Century Power-Play? Get Real.
By Collin Hansen
Copyright © by Christianity Today. Used by permission of Christian History magazine. This and other resources available at
www.christianhistory.com
.


Dan Brown's DVC has achieved coveted bestsellerdom, inspiring an ABC News special along the way, along with debates about the legitimacy of Western and Christian history.

While the ABC News feature focused on Brown's fascination with an alleged marriage between Jesus and Mary Magdalene, DVC contains many more (equally dubious) claims about Christianity's historic origins and theological development. The central claim Brown's novel makes about Christianity is that "almost everything our fathers taught us about Christ is false." Why? Because of a single meeting of bishops in 325, at the city of Nicea in modern-day Turkey. There, argues Brown, church leaders who wanted to consolidate their power base (he calls this, anachronistically, "the Vatican" or "the Roman Catholic church") created a divine Christ and an infallible Scripture - both of them novelties that had never before existed among Christians.

Brown is right that in the course of Christian history, few events loom larger than the Council of Nicea in 325. When the newly converted Roman emperor Constantine called bishops from around the world to present-day Turkey, the church had reached a theological crossroad. Led by an Alexandrian theologian named Arius, one school of thought argued that Jesus had undoubtedly been a remarkable leader, but he was not God in flesh. In DVC, Brown apparently adopts Arius as his representative for all pre-Nicene Christianity. Referring to the Council of Nicea, Brown claims that "until that moment in history, Jesus was viewed by His followers as a mortal prophet - a great and powerful man, but a man nonetheless".

In reality, early Christians overwhelmingly worshipped Jesus Christ as their risen Saviour and Lord. For example, Christians adopted the Greek word kyrios, meaning "divine", and applied to Jesus from the earliest days of the church.

The Council of Nicea did not entirely end the controversy over Arius's teachings, nor did the gathering impose a foreign doctrine of Christ's divinity on the church. The participating bishops merely affirmed the historic and standard Christian beliefs, erecting a united front against future efforts to dilute Christ's gift of salvation.

With the Bible playing a central role in Christianity, the question of Scripture's historic validity bears tremendous implications. Brown claims that Constantine commissioned and bankrolled a staff to manipulate existing texts and thereby divinise the human Christ. Yet for a number of reasons, Brown's speculations fall flat. Brown correctly points out that "the Bible did not arrive by fax from heaven". Indeed, the Bible's composition and consolidation may appear a bit too human for the comfort of some Christians. But Brown overlooks the fact that the human process of canonisation had progressed for centuries before Nicea, resulting in a nearly complete canon of Scripture before Nicea or even Constantine's legalistaion of Christianity in 313.

Ironically, the process of collecting and consolidating Scripture was launched when a rival sect produced its own quasi-biblical canon. Around 140 a Gnostic leader named Marcion began spreading a theory that the New and Old Testaments didn't share the same God. Marcion argued that the Old Testament's God represented law and wrath while the New Testament's God, represented by Christ, exemplified love. As a result Marcion rejected the Old Testament and the most overtly Jewish New Testament writings, including Matthew, Mark, Acts, and Hebrews. He manipulated other books to downplay their Jewish tendencies. Though in 144 the church in Rome declared his views heretical, Marcion's teaching sparked a new cult. Challenged by Marcion's threat, church leaders began to consider earnestly their own views on a definitive list of Scriptural books including both the Old and New Testaments.

By the time of Nicea, church leaders debated the legitimacy of only a few books that we accept today, chief among them Hebrews and Revelation, because their authorship remained in doubt. In fact, authorship was the most important consideration for those who worked to solidify the canon. Early church leaders considered letters and eyewitness accounts authoritative and binding only if they were written by an apostle or close disciple of an apostle. This way they could be assured of the documents' reliability. As pastors and preachers, they also observed which books did in fact build up the church - a good sign, they felt, that such books of today's Bible have allowed Christianity to spread, flourish, and endure worldwide.


Glen dunked at 3/25/2006 12:35:47 pm

Any comments?

 
The Lord Jesus blesses Glen with Thursday, March 16, 2006
Secrets of the [Da Vinci] Code (Part I)

borrowed a book from Marian.


Secrets of the Code
The Unauthorised Guide
to the Mysteries behind The Da Vinci Code (DVC)

edited by Dan Burstein


been reading it since last friday. of course i haven't finished it yet. only almost halfway thru. this book has raised some questions in my mind - questions of doubt.


i pray tt thru the process of exploring the truth via this book and attending the DVC seminar: Sorting Fact from Fiction at St. Andrew's Cathedral on March 25, my doubts will be clarified and my faith strengthened cos during these few days of reading this book, i can feel tt i've already drifted away frm God quite abit.




Was Jesus actually married to Mary Magdalene?
Did they have a child together?
Was Mary one of the disciples and did she write her own gospel?
Did geniuses like Leonardo da Vinci and Isaac Newton belong to secret societies that had the most compelling insider information in history?
And did Leonardo convey some of these ideas in The Last Supper and other paintings?

In this New York Times bestseller Dan Burstein has distilled the views of the experts - archaeologists, theologians, art historians, philosophers and scientists - to sort out the fact, informed speculation and fiction behind the phenomenon that is DVC.




This book includes views frm both sides of the controversy but i only chose to share those tt answer my questions of doubt. i hope these extracts are of help to those who, like me, are seeking the truth, in finding the answers they have been searching for pertaining the issues raised in DVC.



Book I - The Drama of Herstory, History, and Heresy
Part I - Mary Magdalene and the Sacred Feminine
Chp 1 - Mary Magdalene - How a Woman of Substance Was Harlotised by History



"DVC uses fiction as a means to interpret historical obscurity..."
An interview with Deirdre Good
Deirdre Good is a professor of the New Testament at the General Theological Seminary of the Episcopal Church in New York. She earned her doctorate at Harvard Divinity School. Recently, she has held numerous speaking events on Mary Magdalene and DVC.



What do you think of the picture that is painted of Mary Magdalene in DVC?

What DVC does is use fiction as a means to interpret historical obscurity and fill the gaps. This is an approach used successfully by other - and better - novelists: Charles Dickens, for example. It's an approach worth pursuing, once we dismiss Brown's claim that what he writes is true. Thus the claim that Jesus and Mary Magdalene were married is a fiction designed to express the particularity of their relationship. However, Jesus also had distinctive relationships with others - for example, the "Beloved Disciple" of John's Gospel, with Peter, and so on. Thus one must ask whether Brown's assertion that Jesus and Mary Magdalene were married is a restrictive way to describe the particular relationship of a man Jesus and a woman Mary Magdalene. If one assumes this limited particularity, one then looks for it anywhere and everywhere. Actually it isn't in da Vinci's Last Supper because art historians, looking at sketches of figures drawn by the artist to prepare for the painting, identify the figure to Jesus' right with John. Representations of John always depict him as young and thus beardless.


Critiquing the Conspiracy Theory about Pope Gregory
An interview with Katherine Ludwig Jansen
Katherine Ludwig Jansen is Associate Professor of History at Catholic University. She is the author of The Making of the Madalen: Preaching and Popular Devotion in the Later Middle Ages.



What were Gregory's motives for compounding the characters of sinners with Mary Magdalene?

It would be a gross misrepresentation of history to view it as a conspiracy or an act of maliciousness on his part. One has to see Gregory in his own context, a period beset by intense dislocation: Germanic invasions, plague, and famine were just a few of the major catastrophes he had to face during his pontificate, which demanded he be not only a spiritual leader, but a political leader, as well. In this period of flux and uncertainty, Gregory was attempting to create some sort of stability and certainty for his community. The text in which Gregory creates a new identity for Mary Magdalene was a sermon in which he was clearly responding to questions about Magdalenian identity that had been posed by the people of his community, who were, it seems, looking for clarity in their faith to serve as a bulwark against the late Roman world crumbling beneath their feet. Gregory's composite Magdalene figure had the virtue of seeming to answer definitively all the questions that his Christian community had been asking about the relation of one Mary to another.

Why was Mary Magdalene one of the few at the crucifixion? Why might she have attended when other disciples did not? What is the importance of Mary Magdalene being the first to see Jesus after the resurrection?

After Jesus' arrest, most of the other disciples went into hiding for fear that they too would be arrested. Mary Magdalene and the other women did not. Whether this is because the Romans did not consider the female disciples a danger or because the women were more steadfast in their loyalty to Jesus is an open question. Nonetheless, their faith did not waver. They appeared at and witnessed the crucifixion. In my view, Mary Magdalene's most important role is as first witness to Jesus' resurrection. Jesus charges her with the duty of bearing the news of his resurrection to the other disciples. At that moment, she earned the title given her by medieval scriptural commentators: apostolorum apostola - the apostle of the apostles, a title that endured throughout the Middle Ages. Thus, one of the most important tenets of Christianity - the resurrection - was both witnessed and announced by a woman. The title "apostle of the apostles" is as appropriate now to celebrate her role in the history of Christianity as it was in the medieval period.


"Is it sinful to engage in sex within marriage?"
An interview with Rev. Richard P. McBrien
Richard McBrien is a professor of theology at the University of Notre Dame. He appeared on the ABC television programme Jesus, Mary and da Vinci in 2003, triggering considerable controversy over his logical explanation of why Jesus could well have been married. In the interview that follows, he elaborates on his explanation and on Mary Magdalene as a character in Christian history.



What do you think of the possibility that Mary Magdalene is depicted in The Last Supper?

I'm open to it. There is no evidence in the New Testament that she was present. The question is whether da Vinci put her there. That's at least arguable, given the highly feminine features of the one resting her/his head against Jesus.

Why did the church depict Mary Magdalene as a prostitute for so many years?

Perhaps it's because some church leaders couldn't face up to the fact that she was one of Jesus' main disciples, a close friend, and a primary witness of the resurrection.

In the ABC special, Jesus, Mary and da Vinci, you mention that it would not have compromised the divinity of Jesus for him to have been married. Can you explain why?

I don't mean to be flippant, but why not? The Epistle to the Hebrews (4:15) says that Jesus was like us in all things except sin. Is it sinful to engage in sexual relations within marriage?

Would all the leading religious figures of the time have been married?

Perhaps not all, but certainly most. It is clear that some of the apostles were married, including Peter.

Why do so many people find Mary Magdalene such a compelling character today?

Perhaps because they have been so alienated from the church for its negative, rigid, and censorious views on human sexuality. Thinking about Mary Magdalene raises the question of Jesus' sexuality and also makes people reconsider the place of women in the church. If Jesus had been married, that would undermine centuries of bias against sexual intimacy.



Part II - Echoes of the Hidden Past
Chp 3 -
The Lost Gospels



What was Lost is Found: A Wider View of Christianity and Its Roots

An interview with Elaine Pagels
Elaine Pagels is Harrington Spear Paine Professor of Religion at Princeton University and author of the bestselling Beyond Belief as well as The Gnostic Gospels, which won the National Book Critics Circle Award and the National Book Award.



Why do you think DVC has captured the public's imagination?

What I find interesting about Dan Brown's book is that it raises a very important question: if they - meaning the leaders of the church - suppressed so much of early Christian history, what else don't we know about it? What else is there to be known? As a historian, I think this is a really important question because the answer would mean a great deal. So I'd rather not say anything negative about his book. I simply am not an expert on it, but I'd like to say it raises an important question.

Is it possible that [Mary Magdalene] was closer to Jesus than the other disciples and privy to secret knowledge, as the Gospel of Mary suggests?

We don't know much detail, but yes, she must have had some important relationship to Jesus. There are some hints of that in the Gospel of Mary, where it is mentioned that he told her things that he didn't tell the others and that he had a special love for her. As to whether Jesus told her things he didn't tell others, we can't be sure, but there are hints of that. Whether it was a sexual relationship, I don't see the evidence in the sources I know. Dan Brown took a line from the Gospel of Philip that suggests that Jesus loved Mary more than all the other disciples, and he read it as a sexual relationship. However, if you read the rest of the Gospel of Philip, many scholars think the sexual language there suggests a mystical union, not literal. It depicts Mary as a symbol of divine wisdom in some parts of the text and in other sections as the church, which is the bride of Christ. So she's understood to be Jesus' spiritual counterpart.

Can you summarise the Gnostic texts for us?

The Gospel of Thomas presents the idea that if you bring forth what is within you, what is within you will save you, but if you do not bring forth what is within you, what is within you will destroy you. And the idea behind that is, if you can bring forth something from within yourself, something intrinsic to human beings, it allows you to have access to God.

The Gospel of Mary says, in effect, seek the Son of Man within yourself; in other words, look within yourself to find the divine source rather than looking to Jesus the God Man. You can find the divine source through your own being, which comes from the same source as Jesus. It's more like a Buddhist teaching. This is heretical to priests, of course. A priest wants to say that the only access to God is to be found through the church. But these Gospels imply that you can go off on your own and discover the divine within yourself. You might not need the church. You might not need a priest. You might just go and meditate or have your own vision.


Is it possible that some of Christianity was influenced by mystery cults as Dan Brown suggests?

Yes. Dan Brown is right that some of the mystery cults, like the cult of the mother goddess, involved the mysteries of sexuality, death, and transcending death. But I don't see any evidence of those in the texts that we found. That's quite a different strain. There may well be, in Christian rituals, an influence of mystery cults, but I don't see sexual rituals there. I think it makes a good novel, I just don't know of any evidence.

Was this issue of sexuality central for early church leaders?

Yes, it certainly was an issue for Paul, just twenty years after Jesus' death. He thought it is better to be celibate, as he was, for the sake of evangelising the movement. Many people think he was widowed and had been married before. Peter was married and had children. That was, of course, normal for followers of Jesus because they were brought up in Jewish customs and that was understood to be a sacred value.

I think what happened is, these followers of Jesus, even the ones who weren't Jews, adopted Jewish attitudes about sexuality: it was meant for procreation, and any sexual relationship between a man and a woman might well end up with children. A sexual relationship between people of the same sex was absolutely regarded as an abomination by many Jews. Abortion was prohibited. So was killing infants, which was commonly done as birth control in the early centuries. So, since Christians were prohibited to kill babies or attempt abortions or even contraception, if they were going to devote themselves to the Kingdom and have a life that was free of the burdens of family and children and making money, then celibacy seemed to be required.


Do you think these texts and your work allow people who have trouble with their faith to say, "Oh, there is another dimension here?"

To me, that's very important because, I think, if you try to swallow Christian faith as it is often taught, it's indigestible. There is an element in it that, if you must take it all literally, causes most people to raise questions. Was Jesus really born from a virgin? What do we mean by the resurrection of the dead? So, yes, my work and what I try to do in my books is an invitation to say, "We can think about these things." We can look at them historically. We can look at the Bible, not as something that just descended from heaven in a cloud of gold, but a collection, laboriously assembled by countless people, with some very powerful truths in it. But that doesn't mean we have to take it all as if it were literally true and just simply try to swallow it. We can think about it, we can discuss it. As Jesus says, "Let the one who seeks not stop seeking until he finds. When he finds, he'll be troubled. When he's troubled, he'll be astonished." Jesus clearly invites us to a process of exploration - not simply a set of beliefs which we either accept or reject. We can hold on to the elements we love about it, and say that for others maybe it's different. And with this new evidence, I think it's a remarkable opportunity.


Glen dunked at 3/16/2006 4:55:26 pm

Any comments?

 
The Lord Jesus blesses Glen with Wednesday, March 15, 2006
Movies

wa.
i think i've lost the love and inspiration to blog nowadays.
well i shall try something different today.


was reading TIME magazine when i came across these cool statements.
i'm not quite a movie-watcher nor a cinema-goer.
but i like these analogies made by those movie peeps.




Moviegoing is an almost religious act: a Mass experience. You walk into a cathedral, feel your spirit soar with hundreds of other communicants and watch the transubstantiation of images into feelings. The audience becomes a community, the movie the Communion.

 - Richard Corliss




A 65-ft.-wide screen [about 20 m] and 500 people reacting to the movie - there is nothing like that experience.

 - Michael Mann




With enough strangers in the room, you become part of this collective human soul - which is a much more powerful way to watch a movie than seeing it alone at home.

 - M. Night Shyamalan




Moviegoing is like watching a football game. Who in the world would go out in 20-below weather and sit there and watch a football game where you can barely see the players? Football games are on TV, and it doesn't affect stadium attendance at all. It's the same with movies. People who really love movies and like to go out on a Saturday night will go to the movie theater.

 - George Lucas



Glen dunked at 3/15/2006 11:05:56 pm

Any comments?

 
The Lord Jesus blesses Glen with Friday, March 03, 2006
JAE 2006
i hadn't been in the St. Andrew's family.
ever since i started education at kindergarten.
i'd always wanted to be part of the SA family.
cos of the close bonding i always see among the Saints.
today i can finally say my long-awaited phrase:



Once a non-Saint

not always a non-Saint



just wanna thank God i'm able to stay in SAJC.
cos i noe there are many ppl who want to be a Saint.
but are facing difficulties becoming one.
i don't deserve wat i have today.
so i just wanna thank God for His grace.


pls pray for me tt i won't get retained in JC1.
n tt i will do well in my A's.
despite the fact tt SAJC is a fun place to play in.
thks, friends.


Glen dunked at 3/3/2006 6:57:31 pm

Any comments?

 
The Lord Jesus blesses Glen with Tuesday, February 28, 2006
Submitting to our authorities

i'm writing this entry in response to a friend's entry.
this is wat she wrote:



Three of my church members were eating sweets on the bus.
I admit, i ate one too.
then suddenly i realised that we are not suppose to eat on public transport.
So, maybe half-heartedly, i told them not to eat on the bus le,
cos public transport cannot eat.
They tot i was joking, and just continued to eat.
Then, after a while, i sort of showed my displeasure, or like saying:
" eh... dun eat leh.. breaking the law leh. "
but they went on. cos my face still had a smile on it. haha.
so, i said " obey ur authorities leh"...which is wronglah..
so i got corrected " its submit to your authorities" .

this is the part.
My sister, sitting beside me, said she don't like ppl using the bible to pressurize ppl.
its like forming guilt in them, and this could make them stumble.
the problem is then, wad should i do?
don't do anything?
or don't keep insisting, showing I disaprove?
she brought out a certain point that by me insisting,
it could give ppl the wrong idea that by not obeying the law,
they would not be going to heaven. and this could make them backslide.

another point is:
this is a trivial matter and you shouldn't be so particular about it.
its like eating food tat has been offered to the idols.

now my side:
why did i say that in the first place?
well, being a christian is about Faith.
God gave me this faith and grace, so that i can be right with him.
now, being right with him, do i continue to disobey him?
no. In romans, it said, "submit to your authorities..."
meaning the government given by God,
it should be a good government and doing things for our good.
now, in this context, the laws are given by our government for a gd no. of reasons.

why shouldn't ppl eat on the bus?
well, simple, cos it'll dirty the bus.

why shouldn't ppl jay walk when there is a traffic light?
cos accidents will happen.

by disobeying this laws, aren't u defying the government?
which in turn is defying God?

now, the question on Guilt.
yes guilt is a powerful emotion.
but where in the first place does this guilt come from?
ur conscience?
there must be a stand between right and wrong, for you to feel guilt.
You are aware that u are in the wrong with something and therefore feel guilty.
So, is it a bad feeling?
well, its how u look at it.
Feeling guilty, wad do u do next?
do u give up and not want to continue doing right cos its too difficult?
or do u ask God for help..
understanding that it is by Faith that we are saved and not by law.
(cos if obeying the law saves us, den we are all going to hell)

now. guilt can lead to ppl backsliding.
does that mean i don't say my stand and just let them continue?

I feel that even if this is a trivial matter, its still a matter of right and wrong.
if we can't obey simple laws like this, how can we ever think of obeying God's word?
we are imperfect ppl, but we are ppl with christ living in us.
obeying God's word is not impossible to us anymore.

i was thinking of examples in Christ.
Did he ever break a law?
even the roman laws?
no, he didn't break any gd laws set by the authorities.
tts why they couldn't find any fault with him.
the only stand he took against them was to follow the gospel.
Like the Sabbath day, no one should be working but he did healing.
In this case, this law, is it following the gospel?

now, the problem that im thinking about is,
should i insist and show my displeasure when christians do not follow the gospel?
I know, i must understand where the ppl are coming from.
in this case, they are my church friends,
and we study the same thing, believing in the same thing.
so should i be tolerant of them?
or be intolerant when they do this kind of things???




i had actually wanted to respond via her tagboard.
but i realise i've got slightly more to say.


for me i'll still eat in the bus if i can't help it.
like last saturday i bought an ice cream at lavender.
i tot my bus wouldn't arrive so soon.
but it did.
not wanting to wait for another bus, i went against the rule.

i brought my ice cream up the bus.
i knew the driver saw it so i apologised n walked in.
he kindly allowed me to board the bus.
the best way to repay him was to make sure i didn't dirty the bus.
n i did.
i finished my ice cream; every part of it went into my stomach.


i noe wat i did ain't the right thing to do.
even for a non-Christian, it's wrong to eat in the bus.
actually, it's not abt right or wrong here.
cos tt is defined by the laws set by the govt in S'pore.
such things are abt whether it's beneficial or not.
whether it's good or bad.

i learnt this frm the principal of my alma mater.
Mr Lee Hak Boon aims to abolish all rules in the school.
he came up w/ 3 questions.
We should only do things that answer "Yes" to all 3 of them.
"Is it good for myself?
Is it good for the school?
(or country in this case)
Is it good for others?"


so judging frm the above, i had obviously did the bad thing.
the 3 questions weren't answered perfectly.
yes, it was good for myself.
cos i got to enjoy an ice cream during the bus ride.
but no, it wasn't good for the country.
cos i would've dirtied the bus if i weren't careful.
and no, it wasn't good for others.
cos they might do the same in the future.


here's my response to my friend's questions:
i would do the same thing if i weren't eating then.
i would, similarly, gently tell them, "eh don't eat la, later driver scold."
if i were eating too, i'd say, "eh i think we shd stop eating la."
then i would be the first one to stop eating.
if the rest don't follow suit, there's nth more i can do.
at least i'd have done my best by encouraging others to do the right thing.


so to my friend:
you did the right thing.
don't worry too much abt it.
i think it's okay to insist a little.
if they still wouldn't listen, then you shd let them be.

it's like trying to save a soul or convert a friend.
you share w/ him/her a few times abt Christ.
perhaps many times.
but he/she seems to be unmoved.
the best thing to do is of cos to persevere on.

but for me, i would not carry on.
if he/she refuses firmly tt i share the Gospel w/ him/her.
i've already done my best.
all i can do is to pray for him/her.
unless he/she's still interested in the Gospel.

my point is you've done ur part as a Christian.
i'll say God will do the rest.
i believe your friends will come to see the big picture.
probably it's only at tt time when they didn't see it.
i hope they get to read ur blog.
then as fellow churchmates, i'm sure they'll agree w/ u.

as for the guilt part, i suggest an explanation/elaboration.
you can try telling them they needn't feel guilty.
cos if guilt's the problem, i'm sure most of us will feel it.
i dare say many ppl have eaten in the bus before.
it's just tt we're trying to stop tt.


in conclusion, i guess we shd all just follow the Holy Spirit.
if you've done something right, i believe you'll feel at peace.
but if you haven't, then something in your heart will bother you.

it's like in my case in school today.
i skipped maths lecture.
i even skipped it w/ a friend.
it's so wrong!
i'm a Christian n yet i did the wrong thing.

so may we all always choose to do the right thing.



Glen dunked at 2/28/2006 9:36:28 am

Any comments?

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